РавВаст и Варган - новое знакомство. RavVast & Jawharp - new friends. - YouTube

РавВаст и Варган - новое знакомство. RavVast & Jawharp - new friends. - YouTube

Published on Jan 27, 2017 by 

 

Olga Podluzhnaya Uutai

Александр Карнавалов (рав васт) и Ольга Подлужная (варган-хомус и вокал) импровизируют в потоке... Improvisation by Karnash (rav vast) and Uutai (jawharp & vюcal).*

(google translate): Alexander carnivals (equal vastu) and Olga Podluzhnaya (harp-jews harp and vocals) improvise in the stream ... Improvisation by Karnash (rav vast) and Uutai (jawharp & vocal).

The 5th World Mouth Harp Festival of India; Goa, India; February 3 - 5, 2017

 RESCHEDULED for February 10–12

February 3 – February 5, 2017

Jungle Dance Theatre

Bat Wadi Road /Temple Road, Arambol

Goa, India

The World Mouth Harp Festival of India is a grassroots project conceived with a mission of establishing a platform for Mouth Harp players and musicians of all kinds from countries worldwide to connect, share, teach, and perform. Showcasing the versatility of this instrument through a diversity of musical genres including presentations of both traditional and contemporary styles of playing, together with providing opportunities and inspiration for creative collaborations between musicians, the continuing vision of the World Mouth Harp Festival of India is to establish popular recognition for the Mouth Harp as a contemporary musical instrument in our society today.

Unlike commercial music festivals where artists are booked as entertainment and tickets are sold to the general public to cover necessary expenses, at the conceptual core of the World Mouth Harp Festival of India is a community platform of skill-sharing and personal involvement. Everyone is invited to participate in this project, either by performing, teaching, organizing or simply attending, and each person is a contributor to the spirit of the festival in one way or another. Therefore, general admission to all concerts, workshops and presentations remain free of charge with no tickets for sale and no financial sponsors.

Come, join us on February 3rd, 4th & 5th 2017, for our 5th annual festival in Arambol, Goa!


(Facebook) The 5th World Mouth Harp Festival of India

Pirigan (Nada) Kawung Saeran & Karinding Kawung Saeran - Edoy Ngalagena of Karinding Sadulur

Pirigan (Nada) Kawung Saeran - Edoy Ngalagena Karinding Sadulur - YouTube

Published on Jan 6, 2017

Pirigan (Nada) Kawung Saeran - Edoy Ngalagena Karinding Sadulur
Nada dasar dari cara memainkan Karinding dari bahan bambu dan Kawung Saeran/Pelepah aren khusus. Empat pirigan (Nada dasar) dari karinding yang dipelajari dan dikembangkan di Karinding Sadulur dan Lingkar Sekar (Lingkung Karya Seni Karinding) Tasikmalaya. *
Video dokumenter Karinding Sadulur diambil di Tepas Kasalur
Jl. Cikunten Indah Gang Situ Muhani Belakang Unsil dan Unper
Kota Tasikmalaya
- Facebook : Karinding Sadulur , Karinding Sadulur Kasalur Full
- Instagram : Karinding Sadulur Asli

* (google translate) The basic tone of the play karinding of bamboo and Kawung surprising / special palm fronds. Four pirigan (basic tone) from [] who studied and developed in the Karinding Sadulur and Lingkar Sekar (Lingkung Art Karinding) Tasikmalaya. *

Karinding Kawung Saeran - Edoy Ngalagena Karinding Sadulur - YouTube

 

Karinding Sadulur

Published on Jan 6, 2017

Karinding Kawung Saeran - Edoy Ngalagena dari Karinding Sadulur (English below **)
Interpretasi dari ragam jenis Karinding yang kini populer atau dikenal dengan bahan bambu. Dengan mengikuti sumber sejarahnya Edoy Ngalagena mencoba memperkenalkan Karinding yang terbuat dari bahan Pelepah Aren/Kawung (Palm Midrib) Kawung Saeran, bukan Kawung/pohon aren yang biasa diambil sarinya untuk dijadikan bahan pembuatan gula aren. Tetapi jenis pohon Kawung yang tumbuh secara liar dan cukup langka adanya. Sesuai dengan tekhnik cara pemilahan bahan dan cara pembuatannya juga berdasarkan pada sejarah Karinding yang turun-temurun yang berasal dari tanah sunda daerah Ciampanan-Cineam Kabupaten Tasikmalaya. Hasil dari penelusuran dan sumber sejarah karinding tersebut Edoy Ngalagena tidak hanya membuat karinding dari bahan bambu tetapi ia kini mencoba mengembangkan Karinding yang dibuat dari bahan pelepah aren saeran yang sekarang sudah dimiliki oleh para komunitas karinding lain disekitar daerahnya dan diluar daerah Jawa Barat hingga ke Kyoto-Jepang. Dari bentuknya yang terbilang unik karena dari struktur jarum getar karindingnya lebih jari satu, yang pada umumnya hanya satu. Tentunya dengan khusus dari cara pembuatannya pun tidak membedakan nada atau suara yang dihasilkan sama dengan jenis karinding lainnya dan bisa pula diatur hasil nadanya sesuai kebutuhan untuk disesuaikan dengan tangga nada lagu yang dimainkan.
video dokumenter pendek diambil di Tepas Kasalur
Jl. Cikunten Indah Gang Situ Muhani Belakang Unsil dan Unper
Kota Tasikmalaya
- Facebook : Karinding Sadulur , Karinding Sadulur Kasalur full , Edoy Ngalagena II
- Instagram : Karinding Sadulur asli , Edoy Ngalagena

** (google translate) Karinding Kawung wonder - Edoy Ngalagena of Karinding Sadulur  –

Interpretation of the various types of attack are now known or popular with bamboo. By following the history Edoy Ngalagena try to introduce immoral made of palm fronds / Ci (palm midrib) Kawung surprisingly, not Ci / palm tree that used to be taken for the juice of sugar manufacture. But Kawung tree species that grow in the wild and there is quite rare. In accordance with the techniques of how to separate the material and also how to make it based on the history of the attack hereditary from tone-area Ciampanan Cineam Tasikmalaya. The results of the search and the historical karinding that Edoy Ngalagena not only made of bamboo karinding but he is now trying to develop the attack made from palm fronds of wonder that is now owned by the community karinding and other regions around the outside of the West to the Kyoto- Japan. Of shape is unique because of the structure of the vibrating needle karindingnya over one finger, which is generally only one. Of course, with a special way of making even not distinguish tone or sound that is produced by the same type of karinding an

BONUS: KARINDING SADULUR on CNN Indonesia –

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