Saturday, June 24, 2017

▶ Instructional videos playlist | UUTai series & more



instruction playlist at #KhomusWeekly Youtube channel

this playlist currently includes the first 6 videos of Olena Podluzhnaya's instructional series, as well as 5 videos by Varvara Stepanovas. these are all of the Yakut style of play. this list will grow and include others as well! -- for now, at the end, the only other video is by Bebbcorp Harpery.


Thursday, June 22, 2017

▶ SEBASTIAN. An animated film by Vlad Marsavin




sorry can't embed this one --- its worth a look!



▶ La Ruta del Trompe, 4ta Temporada - 2017 playlist

playlist


La Ruta del Trompe, 4ta Temporada

La Ruta del Trompe 2017 - NAMASTÉ (subtitles, untertitel, sous-titres, उपशीर्षकहरू)
 
La Ruta del Trompe 2017 - ATENTO AL LUBU (subtitles, 字幕)
 
La Ruta del Trompe 2017 - FUKUNAWA (subtitles, 字幕)
 
La Ruta del Trompe 2017 - SE FORJA (subtitles, Субтитры)
 
La Ruta del Trompe 2017 - UNA TEORÍA (subtitles, 字幕, Субтитры)
 
La Ruta del Trompe 2017 - VERANO EN SIBERIA (subtitles, cубтитры)

(so far)

Wednesday, June 14, 2017

▶ vargan B M T



vargan B M T - YouTube
Published on Jun 6, 2017 by 69afin
1 Якутский хомус Тарабукина; 2 Байкал Венгерский дормб Силади ; 3 Якутский хомус Мальцева.

added to playlist "#KhomusWeekly 02"

Tuesday, June 13, 2017

Norwegian Munnharpe Festival :: 15-17 September | Norsk Munnharpeforum

Munnharpefestivalen 2017

blir på Nesbyen, Hallingdal frå 15. til 17. september.

Set av denne helga nå! Vi kjem med meir informasjon etter kvart.

Norwegian Munnharpe Festival, 2016

The Norwegian Munnharpe Festival has been organised every September since 1995. Most often the 3rd weekend of the month. The location varies – we try to get local groups / musicians / bands / voluntary organisations help us organize things (usually full board). This means that the Norwegian Jew's Harp Forum is free to concentrate on putting together concerts and workshops. We teach the munnharpe at all levels: beginners, intermediate, advanced, and 'master class.' We focus on traditional Norwegian melody playing, but sometimes we also teach rhytmic/percussive munnharpe as well. Then there can be shorter workshops on «tunes from the British Isles» or «multiple Maultrommeln» (playing on two or more harps – Alpenraum style). Often there are talks on «all things munnharpesque» (expression coined by the late John Wright)

Then there are the concerts: Friday night focus is on the music tradition of the local area; Saturday night is on all/any munnharpe traditions we can muster – England, Netherlands, Russia, Germany, Norway, etc. After the concerts there are the jams, beer, and informal get together.

On Saturday there is also the annual general meeting, annual report, accounting, budget and action plan.

This year's festival will be in a very small town, Nesbyen, which is on the Oslo-Bergen railway line.
– the above thanks to Bernhard Folkestad


Den norske Munnharpefestivalen 2017

blir på Smedsgården Hotell, Nesbyen, Hallingdal frå 15. til 17. september.

Last ned programmet her.

På kurset med Sigbjørn Solbakken i hallingspel blir låtane Fru Stenersen og Trulseguten brukt. Du kan laste de ned eller høyre på dei ved å klikke på linken.


Administrativt:
Prisar:
Studentar og medlemer:              NOK 500
Ikkje medlemer:                          NOK 700

Rabattert pris ved betaling før 1. september til konto 2320 15 35565:
Studentar og medlemer:              NOK 450
Ikkje medlemer:                          NOK 600

Påmelding til kasserar Sigbjørn Solbakken, epost: kjl-t-4@online.no eller SMS: (+47) 48232746.

Dei som melder seg inn i Norsk Munnharpeforum når dei kjem, betaler som vanlege medlemer. Dei betaler NOK 300 for medlemskap for resten  av 2017 og heile 2018. Som alle andre som melder seg inn gjennom året, får dei alle nummer av medlemsbladet «Munnharpa» frå 2017 som bonus.

Overnatting på Smedsgården Hotell:

Pris pr. person i dobbeltrom:  NOK 1525
Pris pr. person i enkeltrom:    NOK 1825

Pris inkluderer middag fredag kveld - frukost, lunsj og middag laurdag - frukost og lunsj sundag.

Det finns også 2 rom har 4 senger, 2 leilegheiter med 5 senger, og ei hytte med 4 senger.
Bestilling (vis til avtale med Norsk Munnharpeforum):
annithoen@hotmail.com
Tlf.      (+47) 32068125
Mobil. (+47) 90991610


LINK: Norsk Munnharpeforum


see also: #KhomusWeekly Jew's Harp Newsletter: Fotos: Musikkhelg og Smikurs 2016 | Dates for 2017 | Norsk Munnharpeforum


Saturday, June 10, 2017

How the jaw harp became a commodity in Great Britain and Ireland: Michael Wright’s book about the jaw harp | The DAN MOI Jaw Harp Blog ♫



How the jaw harp became a commodity in Great Britain and Ireland: Michael Wright’s book about the jaw harp

“The Scottish and Irish integrated the jaw harp into their music culture, the English did not,” writes Michael Wright in his book about jaw harps in Great Britain and Ireland, which was published in 2015. Even though the English didn’t play the jaw harp that very often, since the 18th century at the latest England was one of the largest jaw harp manufacturers and exporters. In his detailed book about the British and the Irish “jews-harp” the jaw harp expert Michael Wright contributes important information about the economic and cultural history of the widespread instrument. On what trade routes did the jaw harp get to England and who bought it? Why became Birmingham the center of jaw harp manufacturing? Who built the instruments? Why is the jaw harp in English called jews-harp? The book is recommended for jaw harp lovers and beginners, but also for experts. It provides the basics of the instrument, uncovers several correlations in the European history of the jaw harp and invites to look into the numerous references from archives about the culture of the instrument and its depiction in the fine arts, architecture and press.

more :: how-the-jaw-harp-became-a-commodity-in-great-britain-and-ireland-michael-wrights-book-about-the-jaw-harp/

The DAN MOI Jaw Harp Blog ♫


Wednesday, June 7, 2017

Ancient Trance Festival :: 11 -13 AUGUST in Germany



And we're looking forward to see you in Taucha/Leipzig/Germany from August 11th to 13th 2017.

Ancient Trance -
ist ein Austausch von Musik-Kulturen. (English below)*
Die Maultrommel als eines der ältesten Instrumente der Menschheit wird mit ihrem Klang zum Mittler zwischen den unterschiedlichsten Stilen einer jungen, internationalen Musikszene.

Auf den Spuren der Schamanen verbinden sich verschiedenste traditionelle Sounds – und führen über die alten ethnischen Wurzeln zu sehr moderner ekstatischer Weltenmusik.


* (google translate): Is an exchange of music cultures.
The Maultrommel is one of the oldest instruments of mankind with its sound as a mediator between the most diverse styles of a young, international music scene.
In the footsteps of the shamans, a variety of traditional sounds are combined - and lead to very modern ecstatic world music through the old ethnic roots.




Ancient Trance Festival - Facebook

Ancient Trance Festival 2017 (Facebook event page)

ancient-trance.de/en/





Thursday, June 1, 2017

Fotos: Musikkhelg og Smikurs 2016 | Dates for 2017 | Norsk Munnharpeforum


20. – 22. mai på Gjøvik

Instruktørar på smikurset var Stein Terje Mathisen, Sven Håkon Jørgensen og Alexander Sørnes.

Konsert med Grove Horn




Munnharpefestivalen 2017

blir på Nesbyen, Hallingdal frå 15. til 17. september.

Set av denne helga nå! Vi kjem med meir informasjon etter kvart.




The Munnharpe Festival 2016
Text and photos: Mona Ottesen*



In 2016 Bykle in Setesdal was the scene of Norwegian Munnharpe Forum's (NMF) annual mouth harp festival. The location changes from year to year, and so do the participants, although of course there are many regulars. It's in the bylaws that the festival should not be in the same place every year. In this way, perhaps more people have the opportunity to join, and some may even have slightly shorter distances to commute. For some people that does not really matter: those who have travelled farthest come from England and Russia.

As in previous years the programme this year was packed with exciting music from capable artists, new and emerging stars, workshops led by experienced munnharpe players, pleasant company and swapping of both tunes and mouth harps.

The weekend started on Friday with pleasant company and a good bite at Bykle Hotel. After dinner festival continued one floor up, where both festival goers and locals enjoyed a meeting with Kirsten Braten Berg, her daughter Sigrid Berg and munnharpe virtuoso Sigurd Brokke. It is not unusual that such tunes resound in the walls because Setesdal Spelemannslag often organize folk music pubs in the hotel. They were also the co-organizer of this concert.

The next act was Olkhon Gate Duo, consisting of Irina Bogatyryova and Vladimir Markov; they had a very nice performance. Coming from Moscow and Irkutsk they had travelled the farthest of all festival participants. They live so far apart in Russia that the time difference between them is five hours. After the concert volunteers played to dances on both munnharpe and fiddle, and many had the chance to enjoy a good fling on the dance floor.

Saturday started with a good breakfast, and music courses continued towards lunchtime. Then we got a great lecture on setesdal music by Gunnar Stubseid and Hallvard T. Bjørgum. Afterwards there was a short stroll to the museum Lislestog where the Handicrafts team had an exhibition and Folke Nesland demonstrated munnharpe forging. Some used the opportunity to play a melody in the great outdoors, and tunes and harps were also swapped here. Some had even a brief tour of the venerable old Bykle church across the road.

The courses continued until five, when the annual meeting in Munnharpe Forum took place. After a good dinner in the evening it was time for another concert, and highlights came in a row, including Sigurd Brokke, Sudan Dudan and Erik Røine. The latter was also appointed Honorary Member of Norsk Munnharpeforum. The evening concluded as always at the festival, with volunteer concert and open mic, then late night jamming for those who still had something to give.

– translation kindly provided by Bernhard Folkestad



Norsk Munnharpeforum


Monday, May 22, 2017

Monday, May 15, 2017

▶ Оҕо өй-санаа, ис турук өттүнэн сайдарыгар тугу билиэххэ нааданый. Сандал саас (21.04.2017)

start at 12m58s

IX International Jew’s Harp Festival and Congress | 15-19 FEB, MOSCOW




IX International Jew’s Harp Festival and Congress - FACEBOOK
The official page of the IX International Jew’s Harp Festival and Congress (IX IJHF). 15-19 February 2018, Russia, Moscow.



vk.com/ixijhf

Общие положения IX Международного фестиваля-конгресса варгана: даты проведения, учредители, оргкомитет, основные направления работы и прочая информация общего характера. Vk.com/page-129995071_52748241

Thursday, May 11, 2017

22nd North American Jew's Harp Festival; 10-12 August; Cottage Grove, OR




The North American Jaw Harpists are proud to host the 22nd North American Jew's Harp Festival! All are welcome to join the FREE festivities! We will have a "meet and greet" at the Axe and Fiddle (next door to the Armory) on Thursday the 10th of August, followed by workshops and concert performances on the 11th and 12th! 

*** We are currently seeking jaw harp performers and workshop instructors. Please feel free to contact any of us with inquiries :)

22nd North American Jew's Harp Festival (Facebook event page)

The North American Jaw Harpists on Facebook

www.thenajh.com (under construction)

Monday, April 17, 2017

John Wright - The Frost is all over by Le Rêve de l'Aborigène on SoundCloud


 
John Wright - The Frost is all over by Le Rêve de l'Aborigène | Free Listening on SoundCloud

John Wright is one of the acknowledged world masters of the instrument most commonly known as a Jew's harp. The small metal or wood instrument… [] …has variations throughout the world, and much of Wright's career since establishing himself has been spent not only studying these instruments, but collaborating with various international players. Wright did not become interested in his native folk music until attending the College of Art in Wolverhampton. At first he tried singing, but became interested in the Jew's harp after hearing BBC archive broadcasts of earlier players such as Angus Lawrie and Patric Devane. Eventually he would make the acquaintance of Lawrie, who would teach him quite a few tricks on the instrument... 

John Wright obituary

18 Sept. 2013 | The Guardian
My brother John Wright, who has died aged 74, was recognised as one of the world's finest virtuosos on that most underrated of musical instruments, the jew's harp (or jaw harp, though John never liked that name). An internationally admired musician, and a great shanty singer and fiddle player, he also played a key role in the reconstruction of working medieval musical instruments.
John was born in Leicester to Len, a butcher, and his wife, Millie. After attending Wyggeston Grammar school for boys, he went on to Wolverhampton College of Art and had a brief career in teaching before becoming a professional musician. In the 1960s he began a lifelong passion for the jew's harp and tracked down early recordings of the instrument at Cecil Sharp House, London, the headquarters of the English Folk Dance and Song Society, seeking out traditional players in the British Isles...

read more

Monday, April 10, 2017

▶ The Adventuress talks about Karinding | Karinding Sadulur


"The Adventuress" (Fiona Callaghan), with Karinding Sakulur


The Adventuress talks about Karinding - YouTube
Published on Apr 10, 2017 by Fiona Callaghan
This is my journey about studying more about the Sundanese culture especially about Karinding and the group of people called Karinding Sadulur who preserves the Sundanese culture and promote karinding.

Location: #Tasikmalaya
Videographed by Zebugh Abdul Jabar II
Video edit by Fiona Callaghan
#vog #theadventuress #fionacallaghan #karinding #karindingsadulur


Thursday, March 30, 2017

▶ Khomus player Fiodorova Natalia - YouTube



Khomus player Fiodorova Natalia - YouTube
Uploaded on Jul 18, 2009 by jewsharper
   
Fiodorova Natalia is nominated as "charming sounds khomus player" on competition "Khomus Kuo" in Jakutsk in 2009.
Федорова Наталья номинирована как "хомусист чарующих звуков" на конкурсе «Хомус Куо 2009» в Якутске.






more on #KhomusWeekly Jew's Harp Newsletter: Fiodorova Natalia

▶ Udagan | Saydyy Kuo Fedorova



Udagan is an international ethnographic music fusion group. Udagan in it’s native language translates to ‘She-Shaman’. The music of Udagan as an entity captures the rich shamanistic universe of the far North inside a musical universe spanning tens of thousands of miles and reaching back millenia, into places existing on the edges of understanding.


The core of Udagan is Saydyy Kuo Fedorova from the North Russian Republic of Sakha (Yakutia) and Oscar South, a contemporary performer and music creator in the UK.Saydyy Kuo is a specialist of the unique Sakha instrument ‘Khomus’ as well as a master of diverse Sakha vocal styles. She has brought these elements together and forged them into a precise vision, making an international impact through her performance which captures not just the essence of it’s origin, but also the imagination of it’s audience.
more: Udagan - UNIVERSE


Tuesday, March 21, 2017

▶ Svein Westad (Eng) - Documentary




Svein Westad (Eng) - YouTube
Published on Mar 13, 2017 by 
jewsharper 
"Svein Westad" a video by Vladimir Markov about famous Norwegian munngarpe player.
www.varganist.ru


Fundamentals of Vargan: A Manual of Jew's Harp Techniques by Aksenty Beskrovny




ENGLISH EDITION OF FUNDAMENTALS OF VARGAN
Hello, friends! Recently I've started a crowdfunding project to publish Fundamentals of Vargan: A Manual of Jew's Harp Techniques, on which I've been working for several years. With support of Danmoi.com, the major partner of the English edition, and Michael Steinbach and Petr Jasinčuk, who inspired me to do this project, the English version of Fundamentals of Vargan will be prepared at the same time as the Russian version.

The project is being implemented in the Russian crowdfunding platform, so I prepared a separate page with English description of the project. Follow this link to find all information about the book, and couple of videos from my colleagues: www.aksenty.ru/en

To make a good and high quality translation of my materials into English is my long-cherished dream. So I would be very grateful to anyone who will take part in the development of the project, or will help draw attention to it.

P.S. Also many thanks to Dale Cooper and Deirdre Morgan for translating project description into English.


Fundamentals of Vargan: A Manual of Jew's Harp Techniques by Aksenty Beskrovny


Thursday, March 2, 2017

Vargan, Khomus, and Kubyz – the Russian jaw harp landscape is in motion / The DAN MOI Jaw Harp Blog ♫ • ARTICLE with VIDEOS

Vargan, Khomus, and Kubyz – the Russian jaw harp landscape is in motion

Russia is a country with a handful of jaw harp traditions: in Sakha/Yakutia, in the Altai, and in Tuva the Khomus (or Komus) is played; in Bashkortostan the Kubyz is known, and in Western Russia and in the big cities such as Moscow and St. Petersburg one can hear the name Vargan. The different terms already indicate diverse cultural links of the instrument. Since the 2000s more and more people remember these instruments again after the mouth harps had been forgotten for many decades. Now several hundreds of people in Russia are extensively engaged with this instrument, and it might be thousands who at least once held a Vargan, Khomus, or Kubyz in their hand. Furthermore there are many mouth harp artisans who produce excellent instruments. These are reasons enough to have a more intensive look at the Russian scene..

READ: Vargan, Khomus, and Kubyz – the Russian jaw harp landscape is in motion / The DAN MOI Jaw Harp Blog ♫ (VIDEOS)


Monday, February 13, 2017

slideshow ▶ Karinding from West Java to California

Karinding from West Java to California - YouTube
Published on Feb 8, 2017

soundtrack: just a practice session, rain (Robert Cherwink​, at about 6 weeks of playing karinding)

photos: RC with his new karinding; Billal Al Shabill​ in West Java (collecting bamboo for celempung, shipping the instruments); RC received the instruments in California – photos of bamboo instruments from West Java with some other instruments of his collection; Billal al Sabill's new son (congratulations!); and Billal Al Shabill with Karinding Mawar. thanks to Anya​ for portrait photos!

for more info see: "New Karinding – from West Java to California!" on the #KhomusWeekly blog at http://khomusweekly.blogspot.com/2016/12/new-karinding-from-west-java-to.html
a little photo shoot with some of my instruments today – especially to acknowledge the addition of my new bamboo instruments from Billal Al Shabill ...

see also –

• Video – first time for Anya to play #celempung, and i finally figured out how to make the #karinding work better! – just in the moment :)
https://youtu.be/ihFstcGYO9Y


update on medical situation and publishing schedule


June 2017: i plan to update the newsletter twice per month at this point.


previous (February 2017): i am still having some serious medical/physical difficulties. publication of this newsletter is sporadic at this point, and the new issues may be small.

  • please visit the 

    #KhomusWeekly Youtube channel

    for lots of viewing! 


    November, 2016: quick update on my medical situation: i met with my surgeon and he wants to try a course of epidural injections for my neck rather that perform surgery at this point. hopefully this will help to relieve the muscle spasms in my neck and shoulders which have literally pulled my shoulder out of place. i have been having some serious difficulty with my right arm, and have not been able or had the energy to spend nearly as much online as i used to
Support #KhomusWeekly Newsletter - GoFundMe

Saturday, January 28, 2017

РавВаст и Варган - новое знакомство. RavVast & Jawharp - new friends. - YouTube



РавВаст и Варган - новое знакомство. RavVast & Jawharp - new friends. - YouTube

Published on Jan 27, 2017 by 
Olga Podluzhnaya Uutai 
Александр Карнавалов (рав васт) и Ольга Подлужная (варган-хомус и вокал) импровизируют в потоке... Improvisation by Karnash (rav vast) and Uutai (jawharp & vюcal).*

(google translate): Alexander carnivals (equal vastu) and Olga Podluzhnaya (harp-jews harp and vocals) improvise in the stream ... Improvisation by Karnash (rav vast) and Uutai (jawharp & vocal).


Monday, January 16, 2017

The 5th World Mouth Harp Festival of India; Goa, India; February 3 - 5, 2017

 RESCHEDULED for February 10–12



February 3 – February 5, 2017

Jungle Dance Theatre
Bat Wadi Road /Temple Road, Arambol
Goa, India

The World Mouth Harp Festival of India is a grassroots project conceived with a mission of establishing a platform for Mouth Harp players and musicians of all kinds from countries worldwide to connect, share, teach, and perform. Showcasing the versatility of this instrument through a diversity of musical genres including presentations of both traditional and contemporary styles of playing, together with providing opportunities and inspiration for creative collaborations between musicians, the continuing vision of the World Mouth Harp Festival of India is to establish popular recognition for the Mouth Harp as a contemporary musical instrument in our society today.

Unlike commercial music festivals where artists are booked as entertainment and tickets are sold to the general public to cover necessary expenses, at the conceptual core of the World Mouth Harp Festival of India is a community platform of skill-sharing and personal involvement. Everyone is invited to participate in this project, either by performing, teaching, organizing or simply attending, and each person is a contributor to the spirit of the festival in one way or another. Therefore, general admission to all concerts, workshops and presentations remain free of charge with no tickets for sale and no financial sponsors.

Come, join us on February 3rd, 4th & 5th 2017, for our 5th annual festival in Arambol, Goa!



(Facebook) The 5th World Mouth Harp Festival of India


Saturday, January 7, 2017

Pirigan (Nada) Kawung Saeran & Karinding Kawung Saeran - Edoy Ngalagena of Karinding Sadulur




Pirigan (Nada) Kawung Saeran - Edoy Ngalagena Karinding Sadulur - YouTube
Published on Jan 6, 2017
Pirigan (Nada) Kawung Saeran - Edoy Ngalagena Karinding Sadulur
Nada dasar dari cara memainkan Karinding dari bahan bambu dan Kawung Saeran/Pelepah aren khusus. Empat pirigan (Nada dasar) dari karinding yang dipelajari dan dikembangkan di Karinding Sadulur dan Lingkar Sekar (Lingkung Karya Seni Karinding) Tasikmalaya. *
Video dokumenter Karinding Sadulur diambil di Tepas Kasalur
Jl. Cikunten Indah Gang Situ Muhani Belakang Unsil dan Unper
Kota Tasikmalaya
- Facebook : Karinding Sadulur , Karinding Sadulur Kasalur Full
- Instagram : Karinding Sadulur Asli

* (google translate) The basic tone of the play karinding of bamboo and Kawung surprising / special palm fronds. Four pirigan (basic tone) from [] who studied and developed in the Karinding Sadulur and Lingkar Sekar (Lingkung Art Karinding) Tasikmalaya. *




Karinding Kawung Saeran - Edoy Ngalagena dari Karinding Sadulur (English below **)
Interpretasi dari ragam jenis Karinding yang kini populer atau dikenal dengan bahan bambu. Dengan mengikuti sumber sejarahnya Edoy Ngalagena mencoba memperkenalkan Karinding yang terbuat dari bahan Pelepah Aren/Kawung (Palm Midrib) Kawung Saeran, bukan Kawung/pohon aren yang biasa diambil sarinya untuk dijadikan bahan pembuatan gula aren. Tetapi jenis pohon Kawung yang tumbuh secara liar dan cukup langka adanya. Sesuai dengan tekhnik cara pemilahan bahan dan cara pembuatannya juga berdasarkan pada sejarah Karinding yang turun-temurun yang berasal dari tanah sunda daerah Ciampanan-Cineam Kabupaten Tasikmalaya. Hasil dari penelusuran dan sumber sejarah karinding tersebut Edoy Ngalagena tidak hanya membuat karinding dari bahan bambu tetapi ia kini mencoba mengembangkan Karinding yang dibuat dari bahan pelepah aren saeran yang sekarang sudah dimiliki oleh para komunitas karinding lain disekitar daerahnya dan diluar daerah Jawa Barat hingga ke Kyoto-Jepang. Dari bentuknya yang terbilang unik karena dari struktur jarum getar karindingnya lebih jari satu, yang pada umumnya hanya satu. Tentunya dengan khusus dari cara pembuatannya pun tidak membedakan nada atau suara yang dihasilkan sama dengan jenis karinding lainnya dan bisa pula diatur hasil nadanya sesuai kebutuhan untuk disesuaikan dengan tangga nada lagu yang dimainkan.
video dokumenter pendek diambil di Tepas Kasalur
Jl. Cikunten Indah Gang Situ Muhani Belakang Unsil dan Unper
Kota Tasikmalaya
- Facebook : Karinding Sadulur , Karinding Sadulur Kasalur full , Edoy Ngalagena II
- Instagram : Karinding Sadulur asli , Edoy Ngalagena


** (google translate) Karinding Kawung wonder - Edoy Ngalagena of Karinding Sadulur  –
Interpretation of the various types of attack are now known or popular with bamboo. By following the history Edoy Ngalagena try to introduce immoral made of palm fronds / Ci (palm midrib) Kawung surprisingly, not Ci / palm tree that used to be taken for the juice of sugar manufacture. But Kawung tree species that grow in the wild and there is quite rare. In accordance with the techniques of how to separate the material and also how to make it based on the history of the attack hereditary from tone-area Ciampanan Cineam Tasikmalaya. The results of the search and the historical karinding that Edoy Ngalagena not only made of bamboo karinding but he is now trying to develop the attack made from palm fronds of wonder that is now owned by the community karinding and other regions around the outside of the West to the Kyoto- Japan. Of shape is unique because of the structure of the vibrating needle karindingnya over one finger, which is generally only one. Of course, with a special way of making even not distinguish tone or sound that is produced by the same type of karinding an


BONUS: KARINDING SADULUR on CNN Indonesia –

    CLICK HERE: Kampung Silat Babakan Peundeuy